My
First Haiku
Originally printed in The Canon Fall's
Beacon Newspaper
Since my last submission regarding baseball and underdogs, I have
only half-wittedly written a short piece of prose. I wrote it spontaneously
in an email to my beloved wife. She suggested that it was possibly
the beginning of an excellent Haiku. Here it is:
Amidst a gust of spring
I hear moaning of heifer.
Though I have never been a true connoisseur of poetry, I am okay
with stumbling upon it as one who appreciates the craft of language.
A Haiku is a Japanese poem of seventeen syllables, in three lines
of five, seven, and then five again, while traditionally evoking
images of nature (i.e. heifers in the morning). So, to transform
my amateur two-line poem, which is simply about having a moment
of appreciation for the mooing of a cow carried through the wind
from a pasture across the river, I’m charged to follow those
guidelines and make my first Haiku happen. Stick with me.
Quickly, the new first line of my Haiku becomes: ‘Midst
a gust of spring (I cleverly omitted the syllable “a” of “amidst” and
added an apostrophe). My second line has become: Hear sunrise
heifer mooing (seven perfect haiku syllables). And finally,
my third line is something to toil over, simply because it’s “the
closer”. It must make the reader nod and hopefully sigh
in conclusion. There are many options:
1) Steak and eggs for me
2) Straw and oats for thee
3) Don’t fear the Holstein
4) Over hill and dale
5) Moaning, “I’m a cow!”
After careful philosophical consideration, number five is the
clear winner. It’s profound because cows wake and belt out
their bovine declaration that “it’s another day, I
have risen again, and yes, I’m still a cow”.
‘Midst a gust of spring
Hear sunrise heifer mooing
Moaning, “I am cow!”
So, I’ve finished my first Haiku. It was fun … but,
in order for my column to have any substance other than humor or
tongue-in-cheek absurdity, I must look into the philosophical ramifications
of my haiku.
[insert photo here]
Years ago I had a campsite deep in an overgrown and uninhabited
cow pasture at my folks’ place. Amidst lawn chairs, scrub
trees, a fire pit, some potato chips, a radio quietly playing the
Beatles, a lawn tractor with trailer, and an old glorious canvas
tent (sorry we trashed your tent, Bob – wishing you and yours
well up there in Nevis!), sunrise came that morning with a certain
calmness that only exists beyond city streets. All at once, as
the sun peaked over the horizon, the birds began to dart about,
chirping and singing - emboldened with another heroic day of food
searching while suddenly, because it is the first to rise, an unnamed
cow bellows in the distance, wafting quietly over us like the six
o’clock siren four miles out of town. My campsite buddy,
Boyce (son of tent-owner Bob), lounging in a lawn chair across
the campfire asks solemnly, “You know what that cow is saying?” I
answer, half awake, “Huh?” He responds, “It’s
saying ‘I’m still a cow!’”
I have never forgotten that moment, or my friend’s profound
observation. I think of all the early mornings I suffer as our
alarm clock wails. I answer it by groaning or flailing in resentment
at the dawn that takes me from my dreams and the womb of slumber.
Sometimes I simply pummel the clock with a “snooze fist”.
What is the philosophical end-all to my masterpiece Haiku? I guess
it’s just that we all wake up tomorrow and realize again
that we’re just human beings embarking on another day. We
decide whether or not to be thankful and get on with being ourselves – much
like cows do every morning when the sun hits the sky. In the end,
our lives ain’t a whole lot different.
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